What fun we had – ‘Raw’ 2012

Well our pop-up student show has been and gone but what a great time we had.  The venue was perfect – fashionable Fitzrovia in London’s west end and right under the iconic Post Office Tower.

The opening party or should I say ‘private view’ was a storm – loads of people came and from the very start there was this amazing atmosphere - so positive, we all noticed it and it just added to our fun and enjoyment.

We all worked so well as a team and whilst our artistic inspiration is pretty similar (we are all interested in the pyschological depth of our subjects, aiming to bring out their raw emotional state) – there was a great variety of work on show from the very figurative / realistic to the more abstract.

I must say, self-curation is a challenge but very satisfying… And we all sold work!

www.rhiannonrebecca.wordpress.com

www.garyscottsculpture.wordpress.com

www.saskiagallart.wordpress.com

Again we would like to thank ActeArts, www.actearts.org for very kindly providing us with the gallery space

…and my wife Jo for doing the photography www.joscottimages.co.uk

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RAW

RAW – FRIDAY 20TH TO SUNDAY 22ND APRIL 2012

RAW : a special exhibition brought to you by three emerging artists for three days only

12-13 Tottenham Mews, London W1T 4AG

Rhiannon Rebecca Salisbury, Saskia Gall and Gary Scott are united by their shared interest in the pyschological depth of their subjects. They aim to bring out the raw emotional state of the subjects they work from and inject artworks with depth, passion and beauty.

The variety of work on show is from three individuals with the aim of producing powerful artwork which inspires and stirs the emotions.

The event is three days of art: Painting, Sculpture, Drawing and Printing. Private view will be held on the 20th April from 6. There will be free drinks and nibbles. Open Sat 21st and Sunday 22nd 12-5.

For more information about the exhbition or to arrange alternate viewing times contact us : rhiannon.salisbury@gmail.com, gary@garyscottsculpture.com, sarahhorserider@hotmail.com

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Follow us at

www.garyscottsculpture.wordpress.com

www.saskiagallart.wordpress.com

We would like to thank ActeArts, www.actearts.org for very kindly providing us with the gallery space

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Inspiration in Spades…

We’ve been spoiled in London of late with the big names, and let’s face it they don’t come much bigger than Leonardo daVinci and then there’s Picasso, Hockney, Freud with Damien Hirst soon and the list goes on…

All hugely inspiring but I wanted to share with you some other bits and bobs which have moved me and fed into my artistic subconscious.

With The Art Academy we recently had a whirlwind tour of Hoxton and various of the cutting edge galleries there.

The outstanding artwork for me was ‘Lines of Thought’ (above) by Gunyol & Kunt at the amazing Parasol Unit – (photo courtesy of Stephen White).  The incredible thing about this installation is that as you approach it (and I guess it’s about 10′ high) you see this awesome ‘wire sculpture’.  Imagine my disbelief when I realised (when about 3 ins away) that it’s actually drawn in felt tip directly onto the wall!  Even knowing this, when you stand back again, you still see a 3d form..

www.parasol-unit.org  and www.artacademy.org.uk

The Surrey Sculpture Society recently hosted a talk by the sculptor Julian Wild at Guildford University.  

Julian has been prolific, particularly in the field of site specific sculpture – which is an area I am increasingly drawn to (post on my Place Project to follow in due course).  We had a summary of his career to date and for me it was great to see his work and to hear how he’d tackled some of the obstacles one encounters when working on large scale sculpture.  Love his work an example of which is above right.

http://www.julianwild.com and http://www.surreysculpture.org.uk/

Meanwhile, back at The Art Academy – this week we had a visit and talk by Maggi Hambling.  I hadn’t known what to expect but I had checked out her web site by way of preparation.  She’s an incredible larger than life, chain smoking and hugely charismatic woman.  Absolutely loved her and her art’s outstanding – her portraiture is particularly powerful and I’ve always liked her sculpture tribute to Oscar Wilde but I was blown away by her wave paintings.

http://www.maggihambling.com/

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Back to the future with Gilbert Whyman at The Art Academy

Ok, so perhaps I’d better explain the slightly quirky title to this post…  My compelling introduction to the world of sculpture and art was in January 2010 at an adult education evening class in London (details in my first blog post).  Gilbert Whyman RBS was my excellent and enthusiastic tutor AND, high excitement,  he’s now teaching at the Art Academy!

Pictured left with another student - Gil has been taking the Thursday Open Life Class this term.  I was delighted when I heard, and it’s been great having Gil teaching me again.  Without him my amazing new arty world would simply not exist!

It’s been great and although so much has happened to me since we first met – it feels like only yesterday…

Links http://www.gilbertwhyman.co.uk/  and  http://www.artacademy.org.uk/

This is a figurative module for which there is a model and it tends to be good fun as being an open class there is a good mix of students.  The others are doing a half life size sculpture but it was suggested that I might like to do a full life sized one – now there’s a challenge…

I felt that a torso would be the way forward so to begin with I made a maquette to ‘find my way into the piece’.

I wanted to work in an open expressive way as I find this way of working to be enjoyable and the results can be really interesting – for me it’s always lovely to see where the sculptor has been, almost like a drawing.  This is achieved with a loose more spontaneous approach in the sculpting and above all, trying to avoid over-working the clay and to leave any ‘marks’ caused by the artist and their tools.

This is how she looks so far – not the finished article, but with a couple of days to go, just maybe I might have something worthwhile.

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Figurative Nudes Look Great In Bronze…

figurative nudeJust before Christmas I was back at one of my favourite places – the Bronze Age Foundry in Limehouse, London. www.bronzeage.co.uk

I was there to pick up my Confidence sculpture for a client who had ordered an edition in bronze for her husband’s Xmas present. figurative female nude

Left you can see the sculpture being sand blasted having been broken out of the ceramic mould.

Right shows her following this procedure and having been washed prior to having chemicals applied (more details on the process are in earlier post on Bronze Age).

The bronze is heated with a blow torch to help the chemicals to patinate the bronze (below right). Once we are happy with the patination a layer of wax is applied.figurative female nude female nude

Left shows the original model – a dancer whose air of confidence inspired the title for the piece.

The client was as pleased as punch with the finished product and her husband even happier. It looks fab mounted on polished black granite.figurative female nude

Even better than that, Bronze Age liked it so much they want to put one in their own Gallery for sale – how chuffed am I?!


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ING Discerning Eye Exhibition 2011

I hadn’t realised how special my Birthday was going to be this year - I went with my wife Jo and parents in law, up to the west end to see the Artists’ View of the ING Discerning Eye Exhibition.  Much to my astonishment and great excitement my Iron Man sculpture had an orange dot – it had already sold!  This made for a double celebration and how special to share the moment with family – a night to remember…

Even better than that, when I went back to see the Exhibition properly (at the Viewing it’s so busy…) with a mate – an edition had also sold (total edition no is 12).

What makes it really special is that these investors are buying into my artistic vision – they ‘get’ where I’m at and what I’m saying, or at least they like what they see…

I can’t thank the selector, John Pluthero enough.  This has been a fantastic opportunity, my work has been amongst incredible company - the exhibition is top notch, definitely one for the diary for next year!

Although the Exhibition has now finished, the selected works can still be viewed and purchased on line until the end of January 2012.

http://www.discerningeye.org/

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The Royal British Society of Sculptors – ‘Sculpting A Living’

I recently attended this professional development seminar at the RBS in South Kensington.  I had been looking out for it as I missed last year’s day, but it was worth the wait.  

It was more than just useful - it was truly inspirational.  I’d go so far as to say that this day is essential for any up and coming sculptor and would probably be beneficial even for more established ones too.

http://www.rbs.org.uk/

The day was divided into three broad sections:-

Artists Without Galleries

In this session Nick Kaplony of Artquest and Briony Marshall ARBS (yes Briony from the Art Academy) covered a lot of topics – from exhibiting / being seen / digital marketing through to artists’ contracts and public liability insurance.

There were loads of great tips and artists please note – by signing up to a-n Magazine, The Artist Information Company, you can get membership of AIR (Artists Interaction & Representation scheme) – including Public and Products Liability cover with an Indemnity Limit of £5m.

www.artquest.org.uk   http://www.briony.com/  www.a-n.co.uk  http://www.artacademy.org.uk/ 

Trade Off

This session was steered by Charles Hadcock FRBS and Sarah Thelwall, financial management advisor to the creative industries. 

Loads of areas were covered but essentially they focussed on how to avoid the poverty trap.  We talked about a range of things including artists’ personal statements, networking and making money by having drawings and maquettes available as well as editions.

I really admired Charles’ frank and honest presentation – in particular his ‘two portfolio’ system resonated with me.  Essentially to survive as a sculptor it is necessary to take any commission that comes our way – this enables us to indulge our own artistic practice.

Another thing that came up was the importance for any aspirational sculptor to register with DACS (Design and Artists Copyright Society) – they essentially look after the artist’s right to receive royalties on future sales of their work.

His work is pretty inspirational too – the sculpture above right is at Canary Wharf and he’s recently had a major work on show at Chatsworth. 

http://www.sculpture.org.uk/CharlesHadcock/  http://www.dacs.org.uk/

Winning Opportunities

This section was driven by art consultant Lucy Tyler of Futurecity and Sean Henry FRBS  - they sought to provide us with a winning formula to make successful applications for awards, residencies, exhibitions and commissions.

Again much was covered within this area and I found it particularly inspiring.  Lucy has a great breadth of experience in major art commissioning and Sean is an incredible sculptor.  

Sean shared the details and stories behind his monumental ‘Couple’ sculpture on the Northumberland coast and his huge commission from UBS Bank.  ‘Couple’  is shown above and right is another of Sean’s works at Canary Wharf.

  http://www.futurecity.co.uk/  www.seanhenry.com/  

The truth is that the day covered so much, I can’t possibly begin to do it justice here – just don’t miss next years…..

 

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